Meidō Zangetsuha

The is an immensely strong offensive technique that creates a path that sends anyone who is hit with it directly to the Netherworld itself, killing them without actually harming them. The technique originally belonged to the yōkai Shishinki. Tōga battled Shishinki and defeated him with the Tessaiga, and used it to steal the technique. Because of the technique's dark nature it was cast off Tessaiga and Tenseiga was created to contain it. The other Meidō called the "Meidō Stone" as Tōga gave it to Sesshōmaru's mother. Even though, Tōga used the technique to stop the Grim Comet with Kirinmaru. Tenseiga was then given to Sesshōmaru as he was the only one capable of perfecting the technique while withstanding the terrible jaki associated with it, until Inuyasha was ready to utilize it.

The Meidō as it was originally with Shishinki resembled a black sphere, but Sesshōmaru's version started out with a crescent shape, eventually gaining an elliptical form as Sesshōmaru gained strength and experience. However, he was incapable of recreating the Meidō in its original form because of Tenseiga's nature as an incomplete sword, until the sword resonated with Tessaiga during his encounter with Shishinki, enabling Sesshōmaru to perfect the technique while manifesting a Meidō bigger and stronger than Shishinki's version.

Later, Inuyasha would prove himself worthy as the true wielder of Tessaiga and Meidō Zangetsuha in Sesshōmaru's eyes during their final battle, and Sesshōmaru willingly relinquished the perfected technique to Inuyasha by breaking Tenseiga over Tessaiga, allowing the technique to be absorbed back into Tessaiga and giving the sword a new alternate form in the guise of a black blade resembling a Meidō.

The technique would undergo one final transformation to better reflect Inuyasha's ownership of it as well as Tessaiga's nature as "a sword that cuts". The gigantic sphere was replaced by a barrage of blades that ripped apart whatever they hit and sucked up the remains, making it more effective against larger and more powerful opponents. In this new form, but only with the help of Sesshōmaru's Bakusaiga, the Meidō finally destroyed Naraku's body- who proved to be resistant to the attack's original form, but not his spirit. Only the Shikon no Tama itself was able to survive this technique's full power and strength, and its evil maintain Naraku's spirit in the material world.

In the manga, but not in the anime version, although it is not directly explained, the spirits of Demon of the Shikon no Tama and Naraku were destroyed forever by Inuyasha when he cut the point of light in the darkness inside the Shikon Jewel with Meidō Zangetsuha, which is very clearly the key to kill Naraku and destroy the jewelry evil. In fact, with Inuyasha's attack at this very point, the purity of the Jewel called Naohi annihilates the evil corrupting presence within it, then the Jewel's shimmering and voice completely stopped.

In the anime version, he opens the Meidō that leads to Kagome and kiss her as she lets Naohi the voice of the good will of the Shikon Jewel that she's ready to make her wish, as she to make the Jewel to disappear forever, as the spirits of Midoriko along with the Demon of the Shikon no Tama, and even Naraku/Onigumo felt warm.

In the anime version of the Episode 1 of Hanyō no Yashahime, but not in the manga of InuYasha Since Then, Inuyasha uses the Meidō Zangetsuha on the Root-Head.

In Farewell Under the Lunar Eclipse, Sesshōmaru did use the Bakusaiga as Inuyasha used the Meidō Zangetsuha to stop the Grim Comet.

Trivia

 * The kanji 冥 (mei) as in Meidō means "dark, gloomy". It is frequently used in fiction to refer to something related the underworld or the world of the dead, for example meikai ("underworld, netherworld"), meiō ("netherlord", i.e. or ), Meiōsei (the dwarf planet Pluto), etc.
 * The begining of the technique's name, "Meidō" (冥道), is spelt similarly-sounding to "Meido" (冥土), meaning "Dark World", is also the name for a 'world' or 'realm' similar to that of ', an Underworld, but also in the context of a boarder-world between the Realms of the Living and of the Dead (where-ever they're going), like the Shinto-Buddhist concept of ' (similar to the Hindu concept of the ' and the Greco-Roman '); a fitting-enough name for a technique that casts its victims in-to the Underworld.
 * Meidō Zangetsuha is the only technique that wasn't given a new name in the English dub of the anime.